Wednesday, October 26, 2011

Torq MixLab Digital DJ System Torq LE software and X-Session Pro control surface

!±8± Torq MixLab Digital DJ System Torq LE software and X-Session Pro control surface

Brand : Pinnacle | Rate : | Price : $92.05
Post Date : Oct 26, 2011 07:36:10 | Usually ships in 1-2 business days

TORQ MIXLAB DIGITAL DJ SYSTEM

Comparison Martin Barre

Sunday, October 16, 2011

The Dark Side of The Violin: Crooked Luthiers, Greedy Salesmen and Other Creepy Creatures Exposed

!±8± The Dark Side of The Violin: Crooked Luthiers, Greedy Salesmen and Other Creepy Creatures Exposed

The violin business has many treacherous tales to tell. With rare items selling at Christies for millions, the trade can be highly lucrative for swindlers, thus attracting unscrupulous salesman like fruit flies to sticky paper. As in other "make money quick" scams, such as the automotive industry and the current housing market, the violin industry has attracted all sorts of scary salespeople, excluding of course yours truly.

Not all violin sellers are dishonest, some of us nice folks are helpful, hard-working people who just love all things strings. But with an instrument that is surrounded in powerful mystique and glorified by films like "The Red Violin," this high-profit market inspires many seedy entrepreneurs to cash in on the rotting old relic in the attic or snatch up "Lot No. Thirty" on auction to make a quick buck.

Such shysters get their sweaty paws on a find and greedily examine the label, hoping they've fetched a rare gem. But oh, dang. It doesn't say "Stradivarius?"

Sorry bub, but even if the label claimed to be a Strad, all the authentic ones have been accounted for. You're ain't gonna strike it rich on another dud swimming among a pestilent sea of million copies. Ahh, but some cunning salesmen have learned to change the label to suit their bank account, making fake labeling one of many infamous atrocities of the violin sales underworld.

The creepy craft of label forgery has become so rampant that it's difficult for most ordinary people, and even some experts, to tell authentic from fake. Some enterprising scoundrels photocopy images of actual violin labels from old reference books, usually those of rare and obscure makers. They then stain the paper with black tea and craftily glue the impostors into cheap violins posing as the real McCoy.

Voila! The value of this old junk has just miraculously inflated by 800%! It's a ghastly and highly unethical practice, but it is unfortunately done all the time.

I think some luthiers (violin makers/repairers) are like computer hackers. The shadier of the lot are remorseless show-offs who abuse their talents and take up a life of crime rather than producing honest work. Like the notorious "Mafiaboy" wrecking havoc on CNN's website for kicks, a similar deceptive creativity oozes from dishonest luthiers as they spawn very convincing forgeries of master instruments.

This is the nastier practice of copies. Not only is the label counterfeit, but even the violin is such a convincing forgery that it stumps the experts.

Case in point, the "Messiah Stradivarius" violin's authenticity has been disputed for years, resulting in anything from chemical analysis of the varnish and extensive grain examination. Some poor sods in lab coats spend weeks under a magnifying glass counting the tree rings in the wood to determine the actual age of the timber then somehow compare it to the date on the label.

The final decision, if the experts ever come to agreement, will make or break the assessed value of £10,000,000 so this science is taken very seriously.

Okay, it's not all lies and deceit. Some honest luthiers simply enjoy the challenge of creating a reproduction for players and collectors who can never afford the real deal. It's actually an intriguing and specialized art to create a violin worthy of the original maker. Simulated neck grafts, blurred labels, worn varnish indicating years of wear and intentional scrapes and dings instantly make a new violin more mysterious, adding to the appeal.

Certain copies are just as good as the original and it's fun to look over a copy and appreciate the detail the maker put into it. The difference here is that the buyer knows they are buying a copy and there is no huge hoopla when someone with far too much money pays MILLION for a dud.

Forgery knows no decency and it doesn't stop at false labels and a few scrapes. I heard of a prominent violin shop in England that used to keep a drawer full of old dust bunnies they salvaged from violins coming through the shop on repair. A profit-hungry luthier crammed these nasty little morsels through the f-holes of violins for sale, obscuring the label and adding age to the violin. The buyer was tricked into thinking the violin was ancient enough to have accumulated such filth and believed it must be authentic.

(Really, I'm not making this up.)

Virtuous shop owners get our violins the old fashioned way: We order them from a supplier or maker, take instruments on trade or consignment from customers and buy from other dealers.

However some greedy wheeler-dealers sink pretty low and prey on the ignorance of the violin's owner in their home, usually an elderly person with a failing memory and an inability to stand up for himself. The wheeler dealer practically takes the fiddle for a song (mind the pun) and the seller catches on to the scam but only too late.

It's even been rumoured that some nasty violin barterers even check the obituaries and contact the next of kin of deceased violinists! But maybe that's a hair-raising story violinists tell their kids at the campfire.

This next chilling story really happened. During music college I was having a bow rehaired at a big city violin shop. The owner talked my bow down and said it wasn't really worth fixing up. This is the typical ruse employed to drive the price down. After this he casually offered me 0 for it in its poor condition. It was too darn fishy, so I didn't take him on his offer. I've since learned the bow is worth at least 00 or much more if it's sold on auction.

Another bloodcurdling story. Recently the host of a house concert I was playing at brought out his old violin for me to see. Well, it wasn't really his violin but an unwanted replacement. He had taken his original violin in to some shop for repair and the owner secretly swapped it for an inferior violin and probably made big cash on the stolen one. By the time the owner realized he'd been duped it was too late and the shop had conveniently closed.

Are you spooked yet? How about this terrifying tale.

Before I knew much about violins I, too, was burned. The dealer had an Italian violin worth 00, then on his written appraisal he claimed it's replacement value was -K. I got it for only 00. Was it too good to be true?

Yes. In the end it turns out the violin was only worth about 00 and the "Italian" markings were indicative of a typical German school of violin making. I had saved for years and taken on several grueling gigs that summer to pay for it. I got my money back less 00 after much arguing. I ended our business relationship and was what motivated me to learn more about violins and eventually open my own shop so this wouldn't happen to my students again.

There are many, many other spooky violin sales horror stories that will make your toes curl, but I don't want to give you bad dreams. Just do some research before buying or selling, ask lots of questions and if a deal ever feels fishy don't be pressured to go through with it. Soon you will buy and sell with confidence and you may even help weed out the weanies.

As for me, I've built excellent business relationships with reputable companies and dealers and I've made the personal decision to never burn anyone. I'll never get rich off this practice, but I sleep great at night and there are no monsters under my bed.

Just old violin cases!


The Dark Side of The Violin: Crooked Luthiers, Greedy Salesmen and Other Creepy Creatures Exposed

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Thursday, October 6, 2011

The Total Cost of Ownership

!±8± The Total Cost of Ownership

In determining whether a piece of equipment is essential for the operation, it is necessary to appreciate two important facts:
Before How much money will allow you to operate?
According to How much money will be used during his life time cost?

The first number is determined using information on machine performance, efficiency, cost of raw materials, and also the selling price (s) from the elements, you can produce. The second photoincludes a series of life-cycle cost calculations (see the sentence of this agreement, or consider it as two words: "life cycle"), accepted, and the phrase more current, the total cost of ownership (TCO).

The North American Association of Food Products Manufacturers (NAFEM) has coined the term of the latter only because the term "life cycle" is such a broad interpretation. The idea is to charge the owner an additional piece of important equipment with which everyone is aware of are compared: aThe vehicle. You know, for example, that the fuel you need an oil change and other regular maintenance, new tires, insurance and so on.

You know you have a good variety of options (air conditioning, the update of the sound, etc.) to buy or to skip them. They also know that several vehicles have a better reputation than others for safety and durability, and that in most cases, some vehicles lose their value once you drive the dealer lot. Could bedifficult to think about all of these long-term factors when you can see yourself in that shiny new car and you know you can qualify for the loan to drive it home.

And so it is with foodservice equipment. Identifying TCO is a way to analyze all from the factors, tangible and intangible, in order to make prepurchase comparisons. In 2007, NAFEM introduced an products existence cycle price tool that can be downloaded from its Web website (www.nafem.org) to guide prospective buyers via the procedure of determining these expenses and making comparisons.

The device walks the user through a thorough set of "detail forms" to fill out. The types contain all the costs associated with the purchase, service and repair, preventive upkeep, the actual operation of the equipment, and its eventual disposal. It contains variables to factor in, in light, moderate, and heavy use. What are some of the components of TCO? In addition to its list price, you will consider such things as: Freight expenses to get the equipment for your location.

Installation costs. Utility prices and energy efficiency are especially essential when identifying whether to select gas or electric equipment, although these expenses also are among the least estimated. The NAFEM committee that developed its existence cycle price device claims it can pinpoint power and water consumption within 90 percent based on laboratory tests.

The expenses of supplies, such as chemicals and filters, necessary for daily operation. The expenses of accessories. Extra expenses of having to ventilate or install plumbing so that you can use the equipment. Labor expenses to operate the equipment, such as training expenses. Insurance expenses. Preventive maintenance. What does it take to clean it? Oil it? Calibrate its thermostats?

Program it? Repair costs, such as parts and labor. Many feel a higher initial cost, if it includes local, dependable service, is usually worth the price. Trade-in or salvage worth, and what it expenses for disposal if necessary. Some kinds of appliances contain mercury, refrigerants, and other substances and should be disposed of as hazardous waste, for which you will find additional fees.

After filling out the detail forms, the tool creates a spreadsheet that summarizes every category of expenses and permits the user to think about the total cost of a piece of products more than its lifetime. As you see, purchasing products is not as simple as choosing the most reasonably priced item you can find. A lower-priced choice may not be worth the cash if it only lasts one-half or two-thirds as long as a higher-priced model.

Ice makers, for instance, can be selfcontained or installed with a remote compressor. The installation for the remote compressor is a lot more expensive, but it might extend the helpful life of the ice maker and/or reduce maintenance expenses, since it is a lot more very easily accessible. Other, perhaps much less tangible factors to add to the mix are discussed in the next paragraphs.

Ease of use is really a cost-related consideration simply because the more difficult it is to operate and maintain products, the longer it takes employees to learn the task and to use it properly. This increases labor expenses, which impacts your bottom line. Always consider labor savings as an equipment advantage.

An example: By utilizing a cook-chill program, a chef can prepare his or her specialties and quick-chill them to nearfrozen temperatures, where they will keep safely for several days. Then, even if the chef is not there, a less skilled line cook is perfectly capable of reheating it for serving. Self-cleaning appliances may be more expensive initially, but they might also pay for themselves faster by reducing the labor it would take to clean them manually.

With these types of options, you can schedule employees' time a lot more productively, at the least cost to the operation. Projected use is also a consideration. The tilting skillet, the convection steamer, and also the range top with oven are all examples of multiple-use equipment. In a busy kitchen, versatility is key. Combining different functions in a single piece of equipment is another way to improve workers' productivity.

Whenever feasible, buy products that may do a lot more than one thing for you. Brand names mean a lot in the restaurant business. Ask any chef who has been around a long time, and you will get some marked preferences for certain types of equipment. While a newcomer to the industry may be swayed by advertising or the recommendations of dealers, the seasoned restaurateur asks kitchen personnel what they like, and why.

New products should also come with warranties, which cover parts and workmanship for a period of time (usually not a lot more than one year) and then "parts only" for another specified length of time. Usually, a warranty indicates that the manufacturer will replace or restore, free of charge, any part that proves not to work properly due to "defects in materials and/or workmanship.

" Most warranties go on to mention that they're valid only if no one has altered the equipment and if it may be correctly installed and maintained. Actually, most warranty hassles result simply because the products has not been correctly installed. Payment terms for the products are often key when cash is tight. When you are spending a minimum of 00 for a commercial mixer, expect some strings attached unless you can afford to pay cash.

Should you borrow money from a financial institution to purchase equipment, the financial institution technically owns the equipment until the loan is repaid in full. If you are leasing your space, this gets a little sticky. The lease should include information about what to do should you fall behind on your payments, and the landlord must agree to grant the bank a very first lien on all financed products.

This means if the rent is not paid, the bank can repossess the equipment prior to the landlord can. If the local bank is reluctant to lend cash for equipment, ask the equipment dealer. Many dealers finance or lease entire restaurant installations. It is helpful to have an attorney look over the legal aspects of these arrangements.


The Total Cost of Ownership

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